Taming the Critical Voice

Reblogged from Women Write the Rockies

Here you are staring at the white screen of the computer wondering how it could be possible that the vivid, lively, and perfect book in your mind has dried up and blown away in the wind. Or why that beautiful sentence just can’t make its way down the synapses to the muscles of your fingers so you can put it down in ink or captured electrons.

Or perhaps it’s the fear of the second novel. You wrote that first one for a couple of years. OK, may more. You went to critique groups, to conferences, attended workshops. Revised and edited. Submitted to agents and editors. Finally got an offer. Revised again. Revised some more. Corrected galleys. Got books in the mail. Did a signing. Had a party. And now?

They want another book. Within a year. Sometimes six months.

Holy ______ (insert appropriate expletive).

Some writers have a whole queue of books waiting to be written, nudging each other in line, eager to see themselves on the page. These writers take a short break and then start the next one.

I’m not one of them. Yeah, I have ideas, vague notions about the next book or so, but not fully developed plots. I often reject these ideas at first, waiting for something concrete and certain to emerge. I jot down notes, make trial outlines of the inciting incident, the three big surprises, the darkest moment.

“But that’s so commercial,” my literary-trained brain says.

“Shut up,” the writer-self answers.

Sometimes my hesitation comes from my critical side, wanting this next book to be oh, so perfect.

Ages ago, Susan Griffin introduced me to a technique to use for the critical voice that often interferes with the writing process. You know the one. “Nobody will read this.” “This has all been said before.” “People will laugh.” “This is bad.” The one that makes you scratch everything out before you’ve even got a draft.

This critical voice (or literary-trained brain) can help revise a piece, can find the weak spots, or can suggest improvements to a manuscript. But it can’t create one. Only the creative self can do that. Griffin suggested letting these two sides of our psyches talk–or write.

First the creative self writes for five minutes, introducing itself. It can describe itself, tell what it likes to do on Saturday night, confess its secret desires, complain. Whatever.

Usually free writing is the best approach. Write without stopping for five minutes. Don’t stop moving your hand. Let grammar and punctuation and all mechanics fly out the door. If you run out of things to say, write ‘I’m stuck’ over and over until the next idea comes.

Then the other takes a turn. Free write for five minutes, introducing your critical self. Once I did this exercise in graduate school and as it turned out, my critical self could walk down the stacks of the library, touch the spine of any book, and know instantly what was in it. Critical voices are not always in touch with reality.

Then—horrors—they talk to each other. Sometimes they fight. But they must make a deal. Usually that deal is the creative self says, “Leave me alone for a while. I’ll show it to you before it goes public.” Your deal may be different. But this will help the perfectionists out there and those with writer’s block.

Does a hero always have to be the good guy?

D. J. Adamson published this article from me in her newsletter, which you can find at http://www.djadamson.com/blog/

Sometimes the bad guy is just more—well—interesting. Think of Hannibal Lecter. During our viewing of the first hobbit film, the audience oohed in delight when Gollum took the stage. We’re way past the “good ole days” when the hero was squeaky clean, like Clark Kent with his starched white shirt, his black framed glasses, and his mild manners. We don’t expect the hero to always speak politely, do good and pick the car up for his grandparents. Oops. See there? Even Superman has a dark secret.

We want some bad in our heroes. We want them to be struggling humans just like we are. Kent Clark is the consummate outsider, copying the ways of his guest planet desperately so he can fit in and get the girl. He’s the nerd’s hero. “See, you picked the captain of the football team and look what a gem you missed in me.” Then there’s Aragorn, the dark and dangerous Strider who turns out to be the hidden king of all the lands—once he finds his courage to face the ultimate temptation of the ring of power.

We want some good in our villains, too. There needs to be some spark of light in them that we can cheer on. We adore Lecter’s good manners, while we roll our eyes at Kent Clark’s. What a delicious combination—a man with impeccable manners and gourmet tastes who eats people who we secretly think deserve it.

Which reminds me of Dexter. He’s another sympathetic mass murderer. Then there’s Gollum, who has struggled with a power much greater than himself and become a ruin. But we can sympathize. Who hasn’t felt overwhelmed by the world at times? Who doesn’t want to believe that even the worst can rise up and ironically save the day?

Beneath the Hallowed Hill_ebook_300dpiI was surprised when my favorite villain took over the second book in my series, Beneath the Hallowed Hill. The best of the dark magicians who serves the Illuminati in their quest to keep control of the world’s power and wealth, Cagliostro is suddenly overcome with longing. For what? For the truth of who he is and his lost love, a beautiful red head whose bell-clear laugh haunts him. He goes in search of these things and in so doing destroys Atlantis, but saves modern-day Glastonbury.

“Stories are equipment for living,” theorist Kenneth Burke declared. We read and watch stories to know about the world and ourselves. The polar opposites of children’s literature just don’t do the job.

Interview with Thriller Writer J. Robert Kennedy

Today please welcome J. Robert Kennedy. I discovered his first book The Protocol during an Amazon Kindle sale. Much to my delight, it was about crystal skulls. As many of you know, Stephen and I met during a meditation session with Max, the Texas Skull. Max makes a guest appearance in my second book, Beneath the Hallowed Hill. Stephen started researching the skulls in the 1980 at the Rosicrucian headquarters in San Jose and has written a book with David Hatcher Childress, The Crystal Skulls:  Astonishing Portals to Man’s Past. So I recognized great research when I read it and enjoyed the first of many thrill rides with archeologist James Acton. It’s an honor to have a best-selling writer visit us.

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Please tell us a little about yourself.

I wrote my first story when I was five. Everyone in it died. I still have it, illustrations and all. I think it ends with something like, “And no one in the kingdom was ever happy again.” Creative Writing was my favorite part of school and I still have many of my short story assignments in a filing cabinet somewhere. When I look back at them occasionally I have to laugh at what I put my poor English teachers through. My favorite teacher was my grade 8 & 9 Language Arts teacher, Miss Boss. I was able to find her on Facebook and send her some of my books. I even dedicated one to her, and named a character after her in another.

As an adult, career and family came first, but I was haunted for years by the vision of a young girl walking through tall grass, the blades flowing through her fingers. One night about ten years ago I finally sat down and wrote the story. A few years later after encouragement from friends I sent it to a magazine and it was immediately accepted. Another short story acceptance and I was ready to try a novel.

A friend had just seen a documentary on the crystal skulls and suggested I write a book about them.

Challenge accepted.

This book, The Protocol, was accepted by a traditional publisher; however after many headaches and false starts, it was finally published after over three years of waiting. My second novel was accepted by a different traditional publisher, but the eBook craze had just started and I decided after my first experience going independent might be a good idea. A month later I bought back my rights to The Protocol.

Three years and fifteen best sellers later and I think I made the right decision.

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Please tell us about your latest book.

My latest book is called The Venice Code. It is book #8 in my James Acton Thrillers series, and ties up a lot of loose ends left dangling as teasers in previous novels. It is closely tied to my debut novel, The Protocol, as it deals with the discovery of a thirteenth crystal skull. It’s written in such a way that you don’t need to have read The Protocol or the other novels to enjoy it, however if you do like it, please feel free to buy the others to see how it all ended up culminating in The Venice Code.

Does this book fit into a series?

Yes, it does. The focus is on two archeology professors—now engaged—James Acton and Laura Palmer. They keep stumbling into situations that have them fighting for their lives, and friends made along the way either try to help them or they them, such as a crotchety Interpol agent, a young Scotland Yard detective, and the elite Delta Force. Acton has been described as Indiana Jones meets Jack Bauer.

How did you prepare to write about the book’s specific area or field of study?

My process is to just start writing and see where it goes. As I move forward, anything that I don’t have an answer to, such as a character name, a location, a type of weapon, etc, I’ll just put an X or Y in the document so it doesn’t slow me down. I then have an open email where I put questions for my researcher (my dad!) who then looks up the information I need to fill in those X’s and Y’s. It makes for a very quick, efficient process.

How does this book fit into your real-life interests?
I love action movies, and when I write I picture everything as a movie so I visualize the fights, the gun battles, the explosions and try to convey that on the page. Growing up as a military brat I was exposed to the military life constantly, and loved it. I am a huge supporter of our troops and try to highlight the sacrifices they make every day in my books.

What are you working on right now?

I’m working on Acton #9 right now. I can tell you that it once again mixes the historical with a modern day, “ripped from the headlines” event. If you want to know more, you’ll have to buy the book!

 My website:  http://www.jrobertkennedy.com

Amazon:  http://www.amazon.com/J.-Robert-Kennedy/e/B004GV2OR6

http://www.amazon.co.uk/J-Robert-Kennedy/e/B004GV2OR6

Kobo:  http://store.kobobooks.com/en-ca/Search/Query?q=j+robert+kennedy

 

Interview–Mary Gillgannon

Imagine my delight on discovering another great book about Olde England. I mean really old. Mary Gillgannon’s last book is about the Celts, one of my favorite topics, and I know many of you can’t resist a good book about the Druids.

Would you please tell us a little about yourself?

MaryI’ve been writing fiction for almost twenty years, and I’ve published twelve historical romances, mostly in the dark age and medieval time periods. I’ve also written two fantasies, The Silver Wheel, which is an historical fantasy, and a book I call “chick lit fantasy” in which my modern heroine travels to bronze age Europe.

Would you please tell us about your latest book?

The Silver Wheel tells the story of the Roman conquest of Britain from the Celtic viewpoint. As the Romans threaten to overrun Britain and conquer her people, Sirona, a young Druid-in-training in Wales, begins having visions. Desperate to discover what the gods intend for her, she joins her fellow student Cruthin in a sex magic ceremony. Their flaunting of druid rules results in both of them being banished, and Sirona sets off on a perilous journey to the north. Five years later, Sirona begins to understand what her visions mean. Determined to change the course of history, she travels to warn the Iceni queen Boudica of the danger to come. But when Boudica refuses to listen, Sirona is forced to risk her life and her immortal spirit to save her people.

What inspired you to write this novel?

TheSilverWheel2_850I originally became interested in the story of the Romans in Britain when I read about a body found preserved in a peat bog near Lindow, England. The body was of a healthy, aristocratic young man who had been strangled, bludgeoned, had his throat cut and then was pushed into the bog. Because the body dates from the time of the Roman conquest in the early first century, some researchers surmise that this man was offered as a sacrifice to petition the Celtic deities to aid the British in their battle against the invaders. Reading about this discovery immediately started all sorts of plot ideas spinning in my mind.   

What does a typical writing day look like?

My writing is mostly done in the morning. After checking email and internet stuff, I usually write for an hour or two before heading off to my job at the local public library. (A great job for a writer!) On weekends I may put more time in, but I also help my husband with his business and try to “have a life”, so I usually don’t write more than fifteen hours a week. It’s a slow but steady pace.

Can you describe your writing process?

I’m an “into the mist” writer, which means I don’t really plot. Once my characters “come to me”, I just start writing and see what happens. Scenes sort of appear to me out of the mist. If they don’t and I get stuck, I mull things over, often in the middle of the night, until I “see” the next scene.  It’s not a very efficient process, but it’s the only method that really works for me. I used to write the first draft a lot faster, but then ended up doing a lot of revising. Now I go slower and let the story happen at its own pace. If I do this, my first draft is usually pretty clean, unlike The Silver Wheel, which I wrote pretty fast but then revised five different times over ten years. It definitely was the most challenging book I’ve written.

How did you prepare to write about the book’s specific area or field of study?

I did a lot of research on the Druids and Celtic mystical belief, as well as reading the historical accounts of the time period (all written by the Romans). I’ve always been fascinated with this era and Celtic culture in general, so I enjoyed that part of it. 

How did you come up with your title?

The book was originally called When The Sky Falls because a famous Celtic chieftain was quoted as saying that he did not fear death or anything on this earth, only “the sky falling”, presumably referring to the end of the world. That perspective (and most of my first draft) just seemed too negative and pessimistic, so I changed it. The “silver wheel” refers to both the goddess Arianhrod, who is associated with the moon and the silver wheel of the night sky that affects human destiny, and also the magic Sirona uses at the end of the book to save her people.

What advice do you have for writers who have not yet been published?

The publishing world is very competitive and getting more so all the time. You have to faith in your vision, your unique voice, viewpoint and stories. That’s really the only thing that can set you apart from other writers and bring you success. You also really have to have a passion for writing, as well as tenacity and determination.

Excluding family, name three people who either inspired you or influenced your creativity. 

Jim Morrison was a huge influence on me as an adolescent. He was a poet as well as a singer/songwriter and his passion for words inspired me to read even more widely than I already did and to take my first steps as a writer. Morgan Llywelyn and Mary Stewart both influenced me a great deal because of the time periods and worlds they wrote about. 

If your book were chocolate, what kind would it be and why?

It would be dark chocolate (which I don’t personally like). It is an intense and often dark story, but also (I hope) rich and satisfying.

Tell us about your main character’s psyche or personality. What led her (or him) to be the person s/he is today?  

Because of something mystical that happened to her when she was a toddler, Sirona ends up training to be a Learned One/Drui from a very early age. She is also born with a special connection to the spiritual world and magical abilities, although those gifts don’t start to manifest themselves until she reaches adolescence when the book begins. 

Describe your protagonist as a mash-up of three famous people or characters.

She’s a seer and has magical abilities like Merlin, a priestess like Morgaine and the savior of her people like King Arthur.

If you could host a magical dinner party, who are the six people (living or otherwise) you’d include?

The three writers who influenced I mentioned previously, plus F. Scott Fitzgerald, Marilyn Monroe (I think she had a great spirit) and William Shakespeare. Three men and three women, a nice balanced dinner party.

What are you working on right now?

I’ve almost finished the first draft of a reincarnation romance set mostly in modern Denver, but with characters who also lived in 6th century Ireland.

Learn more about Mary at http://marygillgannon.com

Interview with Lynda Hilburn, Author of Blood Therapy

I asked my friend and author Lynda Hilburn to drop by and tell us about her books. Lynda and I share an interest in music and sound healing, higher consciousness, psychotherapy, and – vampires!

Would you please tell us a little about yourself?

I had to think about how to answer this. It’s not such an easy question anymore. On the surface, I’m a psychotherapist, hypnotherapist, tarot reader, energy worker, singer and vampire book writer. Years ago I would have added single mom, but my son is all grown now, so those challenges are no longer on the front burner. On a deeper level, I’m a seeker, a perpetual student, a devotee of crazy wisdom and an existential traveler.

Would you please tell us about your latest book?

My latest book is Blood Therapy, the second installment in the Kismet Knight, Vampire Psychologist series, which presents the ongoing tale of a Denver psychologist who stumbles into a hidden underworld of vampires. It blends genres, and can be widely categorized as dark contemporary fantasy with mystery, humor, romance, sex, metaphysics and a little horror.

What inspired you to write this series?

I’ve been a vampire fan since childhood (I blame Bram Stoker), but never thought about writing fiction myself until I met a young client in my private practice who spoke about wanting to join a non-human group. As she shared her desires, I began to notice similarities between her story and some of the vampire fiction I’d read. After she left, I thought about how amazing it would be to walk out into my waiting room and find a vampire (especially a gorgeous one) sitting there. I went home that night and started writing The Vampire Shrink (book #1).

How did you prepare to write about the book’s specific area or field of study?

That was easy. There wasn’t really any preparation. Since I’m a rabid fan of all things undead and a psychotherapist, writing about a psychologist who counsels vampires was a no-brainer.

How did you come up with your title?

I always liked the title Blood Therapy. It popped into my head a few years ago, and just seemed juicy. Luckily, my editor/publisher was agreeable. The title for The Vampire Shrink was a working title. I was very surprised when it stuck. My editor told me recently she thinks it’s one of the best titles, ever. Who knew?

What advice do you have for writers who have not yet been published?

The same boring advice everyone gives: write, write, write. I think writing is a “learn by doing” skill. At least it is for me. Don’t spend a lot of time reading “how to” books or attending endless workshops. Take what you learn from those resources and put your butt in the chair. Writing (if you want to make a living at it) is a job and it requires discipline and structure. There are more options available to writers today than ever before, so it’s truly a wonderful time to be an author. Remember that everyone benefits from good editing.

If your book were chocolate, what kind would it be and why?

LOL. Since it blends genres, I’d have to say it’s rich, dark chocolate, crammed with almonds, raisins, caramel, peanuts, and every other yummy treat found at the dessert bar.

What are you working on right now? What’s next for you?

I am finishing up the rewrite of book #3, Crimson Psyche, which I have to turn in within the month (ack!). After that I’ll start working on book 4, I’ll brainstorm another short story in Kismet’s world, and I’ll try my hand at another erotic paranormal romance. Plus the day job!

Thanks for having me!

Lynda Hilburn writes paranormal fiction. More specifically, she writes books about vampires, witches, ghosts, psychics and other supernatural creatures. After a childhood filled with invisible friends, sightings of dead relatives and a fascination with the occult, turning to the paranormal was a no-brainer. In her other reality, she makes her living as a licensed psychotherapist, hypnotherapist, professional psychic/tarot reader, university instructor and workshop presenter. Her first novel, “The Vampire Shrink” — which introduced us to Denver Psychologist Kismet Knight and a hidden vampire underworld — was released in the UK by Quercus/Jo Fletcher Books, Sept., 2011 and in the USA by Sterling Publishing [Barnes & Noble], April, 2012. Book #2 in the series, “Blood Therapy,” was published September, 2012 in the UK [plus the USA kindle version]. The USA print edition will arrive April, 2013. Book #3, Crimson Psyche, is due in the UK in 2013. Several other books are planned. “Undead in the City,” an erotic paranormal novella, “Diary of a Narcissistic Bloodsucker,” a satire/parody, “Until Death Do Us Part,” a humorous mini-story, “Devereux: The Night Before Kismet” are now available in e-form from all e-book outlets. Her short story, “Blood Song,” is part of the Mammoth Book of Paranormal Romance anthology, April, 2009. For more information, visit Lynda’s website: http://www.lyndahilburnauthor.com